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| Image / Katya Wolf |
The Old Art of Handwriting
To Mitarik
The old art you practice neither
in a lit-up room nor on a Burmese
teak writing desk, as if
you nurse the golden shyness
on the rocks in a virgin glass heart,
but sometimes, in the moonlight,
in the cold of the river, on
a rectangle of paper kept on the knees
balanced between the front and the back seats
of the very autorickshaw that passed
your old neighbourhood on its way
to the water. You try the old art
and handwrite your name.
Sometimes it brings back the endless
number of letters, unsigned, grenaded
through the windows of the Girls' School,
and some nights it sniffs out
the scent of your silhouette
lost in the undergrowth.
© Kushal Poddar
© Kushal Poddar
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| Kushal Poddar |
Kushal Poddar has authored ten books, the latest being A White Can For The Blind Lane, and his works have been translated into twelve languages. He is a co-editor for Outlook Magazine and the editor of Words Surfacing. He does illustrations and sketches for various magazines.


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