Wednesday, February 18, 2026

Poetry by Linda Imbler

 

Pixabay

Dry-cleaning the Suede Guitar

My heart extolled, 

discovery by the eight-year-old boy 

of the Spanish guitar;          

setting his watch 

by the chants of the world

before coaching endless births        

of wooden, acoustic bodies.

My heart joined             

at childhood’s end;

his dare of cosmic laws               

waiting to be broken.

Walking endless struts               

with midnight at his back,

to never rule the silence           

with hollow, electric bodies.

My heart communed,                

as he split himself in two,                             

yet remained

one—double-sided tape.

Magnetic, yin and yang,            

din and whisper,

magick fingers divining        

dancing, sweating human bodies.

My heart mourns                   

as now through the firmament;

his will becomes law                          

as what once happened here,

his own unique frequency                     

absorbed within 

the invisible strings             

of spherical, spinning bodies.

The Conquering

It

was planned.

Centuries’

blight and decay

curbed by such true, perfectly produced love.

© Linda Imbler

Linda Imbler

Linda Imbler is the author of eleven paperback poetry collections and four e-book collections (Soma Publishing). This writer lives in Wichita, Kansas, with her husband, Mike the Luthier, and an ever-growing family of gorgeous guitars. Learn more at lindaspoetryblog.blogspot.com.


Tuesday, February 17, 2026

DAD TIRED by Duane L. Herrmann

 

Kelemen Boldizsár

DAD TIRED

He was so tired,

    my tired Dad,

        always tired.

He worked eighteen-hour days

    in summer,

        twelve in winter.

No one ever said, "Thank you,"

    though we were   

        his reason.

His last day was in the field,

    working still -

        he worked himself to death.

Now he’s gone   

    now we know   

        now it’s too late.

His tractor drove

   across his body

crushing bone and tissue.

© Duane L. Herrmann


Duane L. Herrmann

With degrees in Education and History, Duane L. Herrmann has work published in print and online, in fifty-plus anthologies, over one hundred other publications (Gonzo Press, Tiny Seed Literary JournalPage and Spine, etc), plus a sci fi novel, eight collections of poetry, a local history, stories for children, a book on fasting and other works, despite an abusive childhood with dyslexia, ADHD, cyclothymia, an anxiety disorder, a form of Mutism, and now, PTSD.  


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Monday, February 16, 2026

A Lone World by Sushant Thapa

Pixabay

A Lone World 


A lone world 

Will lose friends by the porch. 


Glances of affection 

Will turn to desert sands. 


The evening will be devoid of stars, 

How unnatural will be the sky. 


Nights that turn to walls 

Will grow teeth 


There will be cheerless freedom walks, 

I will not meet you once more. 


A lone world, 

Will rule its freedom. 


It will tear the banners of protest, 

And fear humanity’s last redemption. 


Evening is at the climax, 

Wounded is the night. 


Rhythm is lost,  

Caricature is a foul mirror.

 

A lone world 

Celebrates cheerlessness. 


© Sushant Thapa


Sushant Thapa

Sushant Thapa is a Nepalese poet who holds an M.A. in English from Jawaharlal Nehru University in New Delhi, India, with nine books of English poems and one short story collection to his credit. His poems are published at The Kathmandu Post, Trouvaille Review, Lothlorien Poetry Journal, Outlook India, Corporeal Lit Mag, Feed the Holy, Masticadores USAIndian Review, etc. He is an English lecturer in Biratnagar, Nepal


Sunday, February 15, 2026

Pesach by Mykyta Ryzhykh

Daniel Reche

Pesach

Pesach of a severed silent vein

Whose blood flowed through the ditch of world (hi)story?

Hі! – tree branches waving

Hee hee! – the roots of the legs laugh and we are not able to move

Meanwhile the bone of a severed branch crunches underfoot

It crunches somewhere in the chest so that I want to break the insides

Fragments of the pain of water and silent stones weave a wreath

Wreaths are usually put on the heads of Jesus brides ukrainian girls

Wreaths are often placed near the graves in the cemetery

And at night in a bed floating in black cast iron

I dream of flowers without graves

During the sand of time the grass underfoot dries out

Therefore instead of grass in wreaths we braid tears

Grass is our home grass is glass

After death I would like to become grass

After death I would like to become glass

After death I would like to be without legs

After all every new day is a small escape for refugees.

I know that my pupils will no longer see a children’s collage

I always knew that one day my college would be smashed

I knew that one day they would kill us all and prayed that I would die beautifully

Unfortunately I did not die although what are the reasons for living

I teach my (eyes?) pupils not to see

I teach my fictional acquaintances to forget

I teach my legs to sleep and dreams to crumble

However time devours all its bad students anyway

I can’t do anything

I can’t even write

After all what is silent poetry capable of talking 

Аbout today other than war?


Originally published on Orbis 


© Mykyta Ryzhykh

Mykyta Ryzhykh

Mykyta Ryzhykh, an author from Ukraine, now lives in Tromsø, Norway. He was nominated for a Pushcart Prize in 2023 and 2024. He’s published in many literary magazines іn Ukrainian and English: Tipton Poetry JournalStone Poetry JournalNeologism Poetry JournalShot Glass JournalQLRSThe CrankChronogramThe AntonymMonterey Poetry ReviewFive Fleas Itchy Poetry, and many others.


Saturday, February 14, 2026

The Wait by Supatra Sen

Rakibul alam khan

The Wait

At dawn she would rush to the river

Then to the temple the market and others

The whole day she would be at work

Cooking, washing, sewing, mending, cleaning

Every dirt and grime

And then from nowhere

The flute would play 

A lingering note

A melody to make one forget all

Even existence…

She would rush out

Run to the river

To seek the elusive

The player

The creator…

The sky would paint itself 

In a thousand hues

The river adorn

A rainbow palette 

The trees would come to life

Swaying rustling whispering

A divine fragrance of unknown forest flowers

The river gently would embrace the shores

Balancing two ends in a wondrous curve

And she would sit and wait

Work undone

Duties forgotten

For what 

For whom

She didn’t know…

The eternal wait

A lifetime of waiting…

 © Supatra Sen

Supatra Sen, Ph.D.

Supatra Sen, Ph.D., alumnus of Presidency College and Ph.D. University of Calcutta is an Associate Professor with 125 academic publications in Botany and Environment. She is the founder and Chief Editor of an ISSN peer-reviewed multi-disciplinary journal ‘Harvest’. She has two poetry anthologies, ‘My Autumn Sonata’ and ‘Sojourns in Autumn’.



Friday, February 13, 2026

A Haloed Moon by Don Brandis

 

Thắng-Nhật Trần

A Haloed Moon

A harvest moon this time, bold as a rooster’s crow

showing what we’d watched growing, nurturing

but not harvesting, as a mostly 

but not entirely an imperfect witness

surrounding it as a halo, diffusing its light 

blurring, scattering, distorting its clarity 

softening, mythologizing what would be 

just what it is and us seeing it so.

Voices of ice particles in the upper atmosphere

as fog haloes approach headlights

in the night.  Can we just see, without reflection?

Stonehouse, in his mountain hut,

regards us as he does his books of sutras

long unread that have become home to silverfish. 

He’s become a source of sutras, no longer 

needs their texts as he would have us do.

Anyone can do this, he says.

When we feel his eye upon us 

not just across 7 centuries 

but in the timeless Now,

we look away.   © Don Brandis

Don Brandis

Don Brandis lives quietly outside Seattle, reading and writing poems when they show up.  He has a degree in philosophy and a long fascination with Zen.  Some of his poems have appeared in Amethyst ReviewBlack Moon MagazineBlue UnicornLast Leaves, and elsewhere.  A book of his poems, called Paper Birds (Unsolicited Press, 2021), is available.  He hasn’t read your poems either, unless he did so without knowing they were yours.  

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Poetry by Linda Imbler

  Pixabay Dry-cleaning the Suede Guitar My heart extolled,  discovery by the eight-year-old boy  of the Spanish guitar;           setting h...