Thursday, February 26, 2026

Rilke's epitaph: humankind by Debasis Mukhopadhyay

Nancy Zjaba

Rilke's epitaph: humankind 

if Rilke was not 

                         an autumn leaf

drowned in blue


his God

turning self 

                       to immortality

sitting on a wall


and 

Gaza ablush

with 

       a brushstroke

the pigment about humankind

longing for              beauty


the soil

            the rose

the stilled clouds

                           confined in bones


no sleep 

              for themselves alone


© Debasis Mukhopadhyay


Debasis Mukhopadhyay


Debasis Mukhopadhyay is the author of the chapbook kyrie eleison or all robins taken out of context. His poems have appeared in International Times, MasticadoresUSAStride, The Honest Ulsterman, Posit, Erbacce, I am not a silent poet,
 Skinny Poetry Journal and elsewhere. Debasis lives and writes in Montreal, Canada. 




Wednesday, February 25, 2026

Graveyard by Lynn White

Pixabay

Graveyard

I sit here quiet and gravely thoughtful.

It feels so peaceful on the surface

but I know gravity is on the pull,

drawing the dead down below

trying to keep them for itself

in the graveyard.

I don’t think graves want gravity

I think they want to rise up, 

taste the joy of lives already lived

which live on still in memories,

and be grave no longer

refusing burial

rejecting gravity

remaining alive

in the glimpses, 

of lives passed, 

brushing with immortality

as they wait.

Wait 

for the worms 

to devour them 

and bring life back

to the graveyard

of memories 

and dreams.

First published in Poets Online, Cemetery Issue, March 2025


© Lynn White


Lynn White

Lynn White lives in North Wales. Her work is influenced by issues of social justice, as well as events, places, and people she has known or imagined. She has been nominated for PushcartsBest of the Net, and a Rhysling Award. https://lynnwhitepoetry.blogspot.com  and https://www.facebook.com/Lynn-White-Poetry-1603675983213077/


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Tuesday, February 24, 2026

Cherished Desires by Edilson A. Ferreira

 

Abhiram Prakash

Cherished Desires 

I feel I could never be related to owls, bats  

and wolves, or other nocturnal animals. 

I love at daylight to stare at the world face to face, 

entirely visualizing all its beauties.  

I love the sunrise that dispels the blackness,

exposing and revealing everything,    

without shame, measure or prudence. 

I love to feel that we’re on the road again,  

to a future we aren’t aware of, but confident

in one Almighty who, closely and amorously,

hidden and discreet, maybe even shy, 

drives and guides all of us.  

I love the noise of people on streets and alleys,

corners and places,  

jointly seeking to move the hard wheels of time. 

I prefer love vows made clearly under the sun 

than those made in the rapture of night passions. 

I must confess that, on some sunny days 

and a blue sky, 

I dream of riding the winds high and high,  

looking for the lost realms of Paradise.

First published in Indiana Voice Journal, Sept/Oct. 2017 issue.

© Edilson A. Ferreira

Edilson A. Ferreira

Edilson A. Ferreira, 81, is a Brazilian poet who writes in English rather than Portuguese. He has launched two poetry books, Lonely Sailor and Joie de Vivre, and has published 300 works in various international literary journals. Has also been nominated for the Pushcart Prize. He began writing at the age of 67 after retiring from a bank.


Monday, February 23, 2026

Roots and Remedies by Anjetta Williams-Brown

 

FOX ^.ᆽ.^= ∫

Roots and Remedies

In the fertile ground where the sun lay,

Where the bees buzz and the butterflies dance,

You always grew mint 

It was your peace tea

The tea that made all our unrest become rest

While Collards lay lazily next to rosemary

Arms open wide

Welcoming the morning sun, 

soaking up the dew

Rosemary, beautiful, tall, 

In full bloom, looking to the heavens 

Remembering our sorrows so we can forget


Sage is showing off its positive emotions

Each length of smoke erases the negative

Each curl of smoke  around the room cleanses my soul

As I sit out back looking over the garden

The garden that you built 

Sipping ginger

I think of all the roots of the past

For every root you planted

You gave us a legacy

A legacy that can cleanse

Heal, and remind us 

You left us great footprints to follow And I am stepping into them exactly as you left them

© Anjetta Williams-Brown

Anjetta Williams-Brown

Anjetta (Anjie) Williams-Brown is a Tennessee State University retiree after 22 years of service.  She self-published her first poetry book in 2022.  She hosts three (3) open mic poetry programs, one (1) author/artist spotlight program, and one (1) talk show.  She has poems in anthologies and magazines.


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Sunday, February 22, 2026

To the Poet-Monk in Mountains by Daniel Skach-Mills

 

Chai Tao (779-843 CE.)

To the Poet-Monk in Mountains

after Chia Tao's "Upon Finishing A Poem"

Lan Su Chinese Garden—Portland, Oregon

Beneath a bamboo canopy

still wet with last night’s rain

you pen your verses.

Cascading drops splash rhythms 

onto your rooftop. Flowing words 

stream couplets down the page.

Secluded as a bird by forests and hills,

your poems nevertheless, fly far.

Nowadays, who, if anyone, 

has risen to the heights 

of understanding a life like yours,

devoted solely to solitude 

and poetry?


Who but a fellow poet 

would understand why 

your eyes fill with tears

when you first read aloud 

the two lines that, together, 

took you three years to complete?

Why you recite your 

most heartfelt stanzas

only to mountains

and streams.

Chia Tao: a Ch'an monk turned poet who lived from 779-843 CE.


Daniel Skach-Mills

Daniel Skach-Mills’ poetry has appeared in Braided Way, SojournersSufi (Featured Poet), and Kosmos Journal. His book, The Hut Beneath the Pine: Tea Poemswas a 2012 Oregon Book Award finalist. A former Trappist monk, Daniel resides in Portland, Oregon, where he has served for fifteen years as a docent at Lan Su Chinese Garden.



Saturday, February 21, 2026

How Does My Garden Do? by Etya Vasserman Krichmar

No photo description available.
Etya's Garden

How Does My Garden Do?

Some say the desert lives beneath Florida’s sidewalks,

all stubborn roots and thirsty dreams.

But I know better. I have a green thumb.

Every morning, when the sun yawns awake,

I step into my garden,

feeling the cool hush of earth through grass and memory.

Here, bromeliads blush like shy dancers,

Moses-in-the-Cradle hides purple secrets in folded leaves,

and the heliconias lift their fiery spears

as if they were guardians of paradise.

The aloe plant, my brave little healer,

pushes up its orange cone of blooms,

a lighthouse against heat and hardship.

Even the cacti, my spined warriors,

don’t hiss at me anymore.

They’ve learned I come in peace.

And tucked between all that wild confidence

are roses.

The only scented flowers I seem able to coax

into happiness.

They are temperamental queens,

but when they perfume the air,

I feel forgiven by everything I’ve ever lost.

This year, though… the heat was merciless.

My flower beds surrendered to weeds

that rose higher than my waist,

a green rebellion laughing at my neglect.

For a moment, just a moment, I wondered

if the garden had given up on me. 

It looked like a jungle. 

My little dachshund refused to go outside,

too scared to brave the tall stalks.

But autumn, even in Florida, brings a small exhale.

Cooler mornings. Second chances.

I roll up my sleeves and wage a gentle war

by pulling and clearing, and

laying down mulch like a soft blanket over wounds

I promised to heal.

In the middle of one of the flower beds,

a pineapple plant, a bromeliad in nature, 

unexpected and unruly, has decided to thrive.

That’s the thing about gardens:

They believe in miracles long before we do.

So how does my garden do?

It grows.

It forgives.

It waits.

And every time I step outside,

hands in the dirt, heart in the work,

It reminds me:

Resilience has roots.

And beauty, once planted, always tries again.


© Etya Vasserman Krichmar


Etya Vasserman Krichmar

Etya was born in Kazakhstan, a former Soviet republic. In 1977, she, together with her husband and a two-year-old daughter, claimed religious discrimination to escape antisemitism and the clutches of the oppressive totalitarian regime. Etya is retired and lives in Port Saint Lucie, FloridaThe Orlando Sentinel and TC Palm newspapers have published her commentaries. She is a Treasured Contributor to MasticadoresUSA. Spillwords Press nominated her story Oh, Mother! for a Publication of the Month in July 2023. Her work appeared in the White Rose, Unleashed Creative, and The Write Launch magazines. Her story, Unconditional Love, is part of the Turning Point Anthology. Knocked Sideways Anthology is releasing Not All Jews are Created Equal in the United Kingdom in April 2024. Etya draws inspiration for her stories from her experiences behind the Iron Curtain. She is a Reiki practitioner and an active member of the Florida Writers Association, Life Writers, Memoir Writing Ink, Alumni Café, Pitch to Published, and Athena Sisterhood online Writing Groups. Her website, Etya Writes, can be found on www.etyawrites.com.



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Rilke's epitaph: humankind by Debasis Mukhopadhyay

Nancy Zjaba Rilke's epitaph: humankind  if Rilke was not                           an autumn leaf drowned in blue his God turning self  ...