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| Monstera Production |
protected, interior
place of solace
around the cloister’s
center
free of life’s
pressing concerns
in this refuge
a full breath
flies
walks apace
and breathes some more
© Amrita Skye Blaine
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| Amrita Skye Blaine |
A Literary Journal
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| Monstera Production |
protected, interior
place of solace
around the cloister’s
center
free of life’s
pressing concerns
in this refuge
a full breath
flies
walks apace
and breathes some more
© Amrita Skye Blaine
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| Amrita Skye Blaine |
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| Atlantic Ambience |
©️ Selma Martin
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| Umay Isik |
BIG TREES
There are so few of them
the Ents guarding the great, green forests have failed
chainsaws grind with impunity
whenever, wherever we foolish humans decide.
One has to travel to find any a’tall
a blue horse can carry you
a few still stand
and grow even taller, bigger, where
two humans cannot get their arms around them.
These found in the great verdant swales,
also mountain coves too hard to reach
in the Alps
or the Blue Ridge
perhaps in the Rocky Mountains
the journey difficult
loose grey and white stones are on rocky paths.
That is where The Bone Strikers make their stand
Battle-painted Kiowa military warriors
will fight the saws to the death.
They fight for the Earth. They fight for all of us.
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| Ray Whitaker |
Ray has four books published and two chapbooks. His work has been published in eleven different countries. Ray was a Delegate to the 2024 Writers’ International Panorama Festival. He participates regularly in several Zoom poetic events worldwide. Among them, he has been spotlighted on a US National Poetry broadcast from Quintessential Listening Poetry Online Radio in 2024, and also an International Poetry Recital hosted by The Fertile Minds out of India. In July 2025, he was the featured poet in David Leo Sirois’
Spoken World Online, which is associated with Spoken Word Paris.
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| Min An |
Young Street
This street replays in his mind, a street at the terminus of a city railway line in Australia where a platform ramp emptied into a bus station and taxi rank, where scenes in a movie about the world’s end would be shot, where a glamorous actor and actress guided by an acclaimed director would then vanish into movie history, phantasms on celluloid, with the cameramen, crew, extras, leaving the bright light of one day in the past captured on a reel, a street where a boy lugged holiday travellers’ bulging bags for tips, smoked cigarettes between train arrivals, plotting his escape from a home stained by unhappiness, his thoughts of the glittering city fizzing with speculation about obsessed novelists tapping at typewriters, gangsters swaggering, noirish women shimmying in black lingerie, a demi-monde of whisky-drinking musicians, gesticulating artists silhouetted in wood-panelled bars, before believing nobody could step back into this street the way it was, this relic that, so many trains, so many movies, so many whiskies later, wafts into view when he is alone, won’t be erased.
| Ian C. Smith |
Ian C Smith’s work has been published in BBC Radio 4 Sounds, Cable Street, Griffith Review, Honest Ulsterman, North of Oxford, Rundelania, Stand, & Westerly. His seventh book is wonder sadness madness joy, Ginninderra (Port Adelaide). He writes in the Gippsland Lakes area of Victoria, and on Flinders Island.
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| Dương Nhân |
Dilapidated
A sheet of tin guards the edentulous
set of front-facing windows. Wind
still conveys the messages of winter.
The lady wears her anniversary
blouse that was bought on the spur
of the moment twenty-four years
ago. The same December her spouse
parted. She reads the cold texts
with all her bones. A couple
of wood pigeons fly in through their
secret ingress. Her palms, light as light,
hold the weight of their flight pattern
and the particles of memory
always here but only a ray can highlight.
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| Kushal Poddar |
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| Pixabay |
Birds
birds in sakura branches
sugar feathers glisten
in the sunlight
no one can endure muteness
no one can endure muteness
and a little boy with his throat cut sings with blood in the clear air
singing is an artistic brush
humanity's easel stained with re-excavated plague
Loneliness is a room in which it snows
Loneliness is a room in which it snows
A cluster of lonelinesses is a vase in which death grows
Between the silence and emptiness there is nothing -
That is what loneliness is
Father's library went out
All the libraries of the world burned in the shadow
But who casts this shadow?
This shadow constantly disappears to infinity
(Even birds can't melt so unnoticed in the dark)
I molded bread from ice for your lips
I died, crumbled, disintegrated, turned into bread crumbs
You are blind like a stone that sinks in water
It's funny that you can't swim although you were born in the water of your belly
If anyone knows where this language of rocks leads, then it's a trap
A dead end for people who are looking for something resembling the truth
We drowned like drowned men who have swum out three times
The candle has all flowed down your hands, Lord
I call you God like a barbarian who doesn't understand anything in this world
I love you
I call you, God
I don't love myself or the grass
The temple doesn't call itself anything I will die without knowing the name of your hands
© Mykyta Ryzhykh
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| Mykyta Ryzhykh |
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| Art by Steven Bruce |
The Human Thing to Do
FOR HERMAN
Winter knocks,
the cold seeps in.
A small bug clings
to the door frame.
At night it scuttles closer.
You’re suspicious, need to know
what it’s up to.
You read about it.
Conifer seed bug.
Harmless to humans.
Eats nuts and seeds.
You put out a crushed almond,
a little water,
and name him Herman.
Each night he sits with you,
crawls over your cardigan,
across the laptop screen,
while you drink coffee and write
as if tomorrow won’t come.
You tell him things,
the shape of your poems,
knowing he won’t understand.
One morning you find him
in the hall,
stiff as a wine cork.
You think he came in
out of the cold
so he wouldn’t die alone.
But we all do.
You tuck him in a matchbox,
toss him into the furnace,
cremate him,
like so many family members.
And now he’s smoke above the house, a little soot settling on the walnut tree.
© Steven Bruce
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| Steven Bruce |
Steven Bruce is a writer and a multiple-award-winning author. His poems and short stories have appeared in numerous international anthologies and magazines. In 2018, he graduated from Teesside University with a Master’s Degree in Creative Writing. You can follow Steven on his website: www.stevenbrucewriter.co.uk.
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| RDNE Stock project |
Communion
When did you last speak
to me, or I to you?
Speak about real things,
that is, not phrases
that make a conversation
but do not achieve communication.
When did our silences
last merge like pools
in the cracked and fissured
earth of everyday concourse,
aiding tender, green shoots
of understanding to emerge?
Long ago we used to peel
the shells of words from
their kernels of meaning
tossing the nuts into our mouths
chewing on the taste of truth
holding on to the sustenance derived.
Were we then the ghosts
of our present selves,
or true beings in communion
with self, other and world?
Maybe we had defeated chronology
and become wiser before our time.
© Ajanta Paul
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| Ajanta Paul, Ph.D. |
Ajanta Paul, Ph.D., is a widely published poet, short story writer, and literary critic who was a former Principal of Women's Christian College, Kolkata. A Pushcart nominee, Ajanta has been published in journals including Capella Biannual Journal, Offcourse, The Statesman, The Wild Word, Atticus Review, and Spadina Literary Review.
Monstera Production c overt not only sly or secret— protected, interior place of solace around the cloister’s center free of life’s pres...