Your mother likes the idea of wearing bird wings by Sam Moe

 

Image | Angel Rkaoz

Your mother likes the idea of wearing bird wings  

I. Lump

 

And one day her arm goes numb at school;

after ruling everything out, the doctor finds

something is wrong with her nerves.

 

That night and every night after,

you stop sleeping.

 

Her doctor calls it an unidentifiable

lump.

 

You look at the calcium deposits on

your arm and wonder.

 

II. Teeth

 

When you were younger, your body​       ​     You fought in Central Park.

being eaten away daily by different​    How does one explain a grief

men and their hands were jaws and​    which one does not understand.

their bodies were voids, sure you were​   ​     Out all night, everything warm,

bleeding, but that’s not the point.​        Numb.

 

When you arrived back at her

mother’s apartment, she told​                Your reflection in the lake is

you to die for all she cared.​         obscured by easy yellow fish and

​                    ​      you are afraid of the smooth river

Was that the moment your story​           stones.

stopped and hers began? You wonder

if it’s possible to erase yourself.

 

III. Stone

 

You dream and in the dream her

house is filled with doors. When

you open the first door it is filled with

rivers and salmon, each stacked on

top of each other like ribbons.

​                                          Door number two is oysters

​                                          whose surfaces are embossed

​                                          with words from your poems

​                                          you can’t read a thing except

​                                          no / no / no, rivulets of memory.

You know this search,​                               ​   you know this topic. This wound.

 

The vanity mirror door says sorry

empty today, no silver, yes squid 

ink and an octopus twisting around

your fingers, the lower half of your body

is numb,

 

​                                              lift the couch and find a chorus

​                                           pour tea and her tennis bracelet spills,

​                                           she appears in the living room, opens

​                                           her sweater to show you the surgery

​                                           marks on her stomach, organs removed.

 

Every line break is meaningless

in the bright surface of her scars

yours have all turned light as berries.

 

​                                          When she finds out you’re at it again

​                                          you fight in the parking lot of a school.

 

IV. Bone

 

Everyone comments on your​                                I have trouble eating, you tell a

eating disorder and your mother.                                  friend. They laugh loudly and say,

has an eating disorder and your                                    I know. You wonder if time will make

cousin and your sister and your​                           this funny.

aunt and your grandmother have

eating disorders, but, now, why is

your memory a ringworm? 

 

At breakfast during Christmas

morning, your stepbrother observes

you and your sister having pancakes.

I’m surprised you’re both eating, he​                   You say his name one time, but it’s not

saysbecause you don’t know how.                 ​    enough to stop him.

 

What? You don’t.

 

You hide in the bathroom and smoke a joint. What, you? Don’t.What, you don’t? What? You, don’t. You break apart his words as you hang your legs over the lip of the tub and inspect the mold, the vanilla shampoo, the tools.

​                                          Your heart is a rag and your history

​                                          is blood. Does trauma make you a

​                                                   pessimist or has your mind decayed

​                                          to the point where there is only cavity

​                                                   soft to the touch, still craving sweetness,

 

like the time you thought there

was a hole in a tooth when it

should have been pale white and

you took your mother’s sewing needle

and jabbed.

 

​ ​                                         She loses half the bone mass in her jaw

​                                          because of her ED. Yours leads to blood /

hospitals / hospital / bad walk

inability to breathe / the week you

were in so much pain you thought

your legs would dissipate / needles

of pressure / IV in your arm / your

aunt / back then / was so worried.

V. Host

 

You share memories and experiences you share jaw trauma, an affinity for séances, a belief in ghosts, pain from your father, a love of all things red, melancholy in the morning, journaling, hospital trips, abuse, an obsession with pearls, stones, seashells, foam, a problem with eating certain textures, too much sweetness, a belief in ghosts, and your grandmother is a ghost but you almost never hear from her, so your grandfather and great grandmother are gone and the apartment complex she shares with your cousin—who, yes, hates both of you—is filled to the brim with ghosts / rats / mold / a dumbwaiter sealed after someone tried to climb in so he could rob the apartment, a fear of the back room with the stolen cross and the fire escape, the time you were both suicidal in your youth (but for you it took longer to move away), an obsession with well-preserved New Yorker pea coats belonging to your grandmother, and lies, and tendons, and screws in your lungs, and you can’t breathe, no one  has died yet but someday they will.

 

VI. Muscle

 

And you try to turn off the love you 

have for everyone, you:

 

​          fail, lie, cry in the car on the way

​          home, wear sunglasses to the supermarket

​          and grief grows mold on your heart.

 

Don’t worry, your colleague tells you,

One day you’re going to walk up to me

and say, last night I got the best night’s

sleep.

© Sam Moe 


Sam Moe

Sam Moe is the author of six books of poetry. Her most recent collection, RED HALCYON, is forthcoming from Querencia Press in 2026. Her debut short story collection, I MIGHT TRUST YOU, is forthcoming from Experiments in Fiction in Spring 2025. She has attended the Sewanee Writers’ Conference and received fellowships from the Longleaf Writers’ Conference and the Key West Literary Seminar. Sam has also received writing residencies from The Writers’ Colony at Dairy Hollow and Château d’Orquevau.

Comments

Popular Posts