Monday, June 30, 2025

Three Seguidilla by Jake Sheff

 

Image| Taryn Elliott

Three Sequidilla


The Seagull’s 134th Seguidilla

 

The smartest and the fastest

Gulls are gulls and gulls

Only. With humble and honest 

Hope, I crush my goals.

South-westerlies jogged 

The sky’s big white migration.

Since then, time’s jagged. 



The Seagull’s 137th Seguidilla

 

The minds of other seagulls 

Are behind a veil,

As are those other worlds to

Ours in parallel. 

Importance, too; I 

Know that to ring its frail bell

Sometimes experts lie. 



The Seagull’s 140th Seguidilla

 

One can’t miss how weird it is

To be alive. Sub-

Species of confusion try,

Like every Jacob.

Wholly unfettered,

A bird’s not free long without

My brother’s bollard.


The seguidilla is a verse form of Spanish in origin. It has seven syllable-counted lines, and rhymes the second and fourth, and the fifth and seventh lines.


© Jake Sheff


Jake Sheff

 Jake Sheff is a pediatrician and US Air Force veteran. He’s published a full-length collection of formal poetry, “A Kiss to Betray the Universe” (White Violet Press), along with three chapbooks: “Looting Versailles” (Alabaster Leaves Publishing), “The Rites of Tires” (SurVision), and “The Seagull’s First One Hundred Seguidillas” (Alien Buddha Press).


Sunday, June 29, 2025

What I Remember of Wichita, Kansas by Carol Barrett

 

Image | Steve Johnson

What I Remember of Wichita, Kansas

in honor of the passengers of American flight 5342, and Elwin

I did not come for camp, as many did. I came 

because my husband and I both got jobs there

when we finished school. Pins on the map 

the only place where his and hers coincided.

It helped that my father grew up in Kansas, knew

how wheat swirled, the windmill spinning.

 

I did not skate there. I danced. I moved bodies

on stage. Men lifted women over their heads

and exchanged them in the air, while 

a metronome pounded the beats of a heart.

This dance was called Transplant. It got

good reviews in the Wichita Eagle Beacon.

 

My father said we meet all planes. On holiday

I flew home to Washington -- the other 

Washington. I arranged for a Pakistani student 

to watch the house, feed the cat. On return, 

unpacked, then went to my typewriter.

A freshly rolled piece of paper: I love you.

 

I wrote my first poems in Wichita, Kansas. 

My mentor came and watched me dance.

She wrote a poem about me dancing.

That got me started on a new love. I wrote 

so many poems, I did not have time to read 

the promised research on sabbatical.

 

The Dean was very understanding.

His twin brother had died of a heart attack

playing tennis, and I supported him

ihis grief. He moved me, despite objections,

from the psychology department, to English.

That is where I met the Pakistani student.

 

My husband practiced tai chi for hours

in our living room to maintain balance          

The shag carpet under him, deep green 

like the lawn on North Harding Street

Out the sliding glass doora pond.

The water lay dark, day and night.

 

My parents came to visit in Wichita,

Kansas. My mother made curtains

for the spare bedroom. My father rototilled 

the garden, met the Dean. I planted corn

and beans, tomatoes and squash.

Onions, pumpkins, peas and carrots.

 

I did not hunt in Wichita, Kansas.

I did not hunt anywhere. But my brother

hunts, taught his daughters to shoot,

and my nephews, brother-in-law, uncle. 

I’m glad he locks his guns in the basement.

I do not like the noise. I am fond of deer.

 

Before Kansas, my mother drove me to dance

and music lessons. She made sponge cakes

for birthdays. My grandmother wanted 

to live to be one hundred. She reached 

her goal, plus a bonus eight days,

while I was teaching in Wichita, Kansas.

 

Death can be hard to pinpoint –

impact, fire, fall, dark river.

Planes can collide in the night air.

So can partners in a marriage,

despite the flight plan. It can 

take a while to recover the bodies.

© Carol Barrett


Carol Barrett

Carol Barrett has published three volumes of poetry, most recently READING WIND, and one of creative nonfiction, PANSIES. An NEA Fellow in Poetry, Carol supervises creative dissertations for both Antioch and Saybrook Universities.

Saturday, June 28, 2025

Now Boarding at Gate A12 by Rich Boucher

Image | Jonas F

Now Boarding at Gate A12

 

I keep my eyes peeled,

watch for shapes on the horizon.

I take out my earbuds,

put my head to the ground

and hope the truth will grow up into me.

I crouch low and grip the silver smooth rail

with my hand; let me see if 

I can tell when the train is close.

 

There is a day I am thinking about,

a blue moon occurrence at the airport of recent memory.

It could have been a man running

to catch up with a woman who lost her wallet

because he found it, because it was right to be kind.

It could have been one stranger

comforting another upon learning their reason for the flight. 

what it actually was on this particular day

was a woman of about seventy, weary,

walking a golden retriever puppy in one direction past Gate A12

just as some other mother, exhausted,

with her three girls were coming from the other direction 

and barreling headlong towards Gate A12:

they say lightning travels from the ground up

but I think the clouds and the pitchforks of fearsome blue flame

prefer to meet each other halfway,

and I know flying on an airplane can be a scary thing for a child.

I know flying on an airplane can be scary for a grown man.

It can be scary, too, for sure, for an animal. 

If it goes down, I’ll come back to life just to spite 

the ugly orange fuselage and sea-worthy cushions:

this is the way I ingest and process uncooked fear.

If only you could have seen the scene that day with my eyes

and heard the sweet cacophony, the high-pitched delight in those girls

as the older woman allowed them to pet the sweet little dog. 

After all parties went their separate ways 

I’ve got to imagine tension alleviated,

fears traded even a little bit for a happenstance measure of happiness.

I stood there in reverence, aquamarine azure for that moment;

I’ve got it in my pocket and it isn’t going anywhere.

What is living if it isn’t the always invisible 

dance of choice and chance? Call it the dark pas de deux.

In the spirit realm within my head,

I take the dice in my palm,

ask the beautiful lady beside me to blow on them for good luck,

then toss them onto the green felt.

When they settle, everyone sees what I see:

each side of each die is completely blank,

smoothly-polished off-white possibility

where before there resided cold and definite numbers.

And because no total could be counted 

from a pair of empty dice, that meant we all won

and everyone around the table hugged

with mirthful tears to realize at last 

how easy it would be

for all of us to win.

 

And still I keep my eyes peeled,

watch for shapes on the horizon.

I take out my earbuds,

put my head to the ground

and hope the truth will grow up into me.

I crouch low and grip the silver smooth rail

with my hand; let me see if 

I can tell when the train is close. 


© Rich Boucher


Rich Boucher

Rich Boucher resides in Albuquerque, New Mexico. Rich’s poems have appeared in The Nervous BreakdownEighteen Seventy, and The Rye Whiskey Review, among others, and he has work forthcoming in Pulp Literary Magazine and Eunoia Review. He is the author of All of This Candy Belongs to Me.

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Friday, June 27, 2025

The Language of Leaves by Lulu Logan

 

Image | Jack Gittoes

The Language of Leaves

 

Through the open windows

I hear them, restless and agitated,

gathering together in a 

great shout

awakening me, beckoning me

to attend to their call.

 

I pull back, wishing to turn away

slam shut the window.

I don’t understand 

the language of leaves

but I have blown my voice

seeking a listener,

a true heart

a love story.

 

I lean closer,

not peeling away

for the tree’s song, his lyrics

are a familiar call to me.

“Weary are my roots,” she calls,

Bring to me my brittle staff.

Your bag carries remedies

overflowing, folded secretly

in silence,

a balm to soothe me.”

 

I step through the window

intent on easing the downward,

inward ache.

The rustling limbs reach for me

bark and branch

soft as rabbits fur

caressing my lashes,

swaddling my being

with the gentle

touch of lover.

 

I swoon with ecstasy,

determined never to return

to where I once lived. 


© Lulu Logan


Lulu Logan


Lulu and her three 4-legged children live happily together, cozily nestled every morning within the piles of pillows and blankets, welcoming the sunrise in Winter Garden, Florida.


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Thursday, June 26, 2025

Inclinations by Susan Shea

 

Image | Adrien Olichon

Inclinations

 

I must be sister to the Cook Pine

that misses its home 

at the equator so much

it bends dramatically 

toward either north or south

depending on which side

it has been transplanted

 

away from the great circle

I find myself leaning

into the fixed points of prophecy

 

where the center of wisdom

is pulling me over

word by word, verse by verse

into the longing, 

 

where I must know  

the arms of the warmest sun

are poised to catch me


© Susan Shea


Susan Shea

Susan Shea’s poetry has been accepted by Chiron Review, Ekstasis, Loch Raven Review, LitBreak, Foreshadow, The Gentian, and others. Within the past few months, one of her poems was nominated for Best of the Net by Cosmic Daffodil and three poems were nominated for a Pushcart Prize by Umbrella Factory Magazine.


Wednesday, June 25, 2025

The Gift by James Joseph Snyder

Image | Ron Lach

The Gift 

“Have you ever tried vaniller and sausage?”

Asked the awkward organ-playing contestant

to the surly judge, while simply smiling,

unaware of his very hilarity.

The judge breaks down his frown into uplifting smile.

The bewildered performer unmindful of his gift of levity.

 

Are we all so unmindful of our levity within?

The way it can break out the day and break open the night. 

This gift to stir within a heart the joy-view of life,

for each situation of turmoil or strife,

endured in spite of, overcome with laughter.  


© James Joseph Snyder

James Joseph Snyder

 

James Joseph Snyder is a retired engineer living in Minnesota. Writing poetry from a young age, published at age six in a book of children’s poems. He enjoys the revelations of wonder and the process of writing poetry. Publications include Lucky Jefferson, Ariel Chart, Spank the Carp, and Cracked Walnut Anthology 2023.



 

 

Tuesday, June 24, 2025

Greetings from the Sunroom by Ken Tomaro

Image | Marisa Fahmer


Greetings from the Sunroom


In concert hall 

 

There is a bluebird sitting on the edge of a dead tree branch preening, nervously looking around, preening, singing. It takes off, tree branch bouncing like a conductor’s baton. The birds need no one to lead them in chorus.


Tumble-dry, low

 

The sounds resting in my auditory canals were many. Everything our world had to offer; birds, rustling leaves, sun-warmed breeze, the hum of the earth itself, interrupted occasionally by the sound of a panting dog wanting a scratch on the head.


The birds of Flatbush

 

The trees don’t care about your legacy, what you’ve accomplished, what if any mark 


you’ve left. The trees don’t care if your only purpose is to exist, to be alive, to breathe 


this life in and out.


Unassuming

 

I am the short, disheveled tree in the thicket, trying to blend in. Not waving in the breeze, not reaching for the sky like the others. Your eye stops in my direction for only a moment. I am,

 

unassuming, unspectacular

© Ken Tomaro


Ken Tomaro

Ken Tomaro is a writer living in Cleveland Ohio whose work reflects everyday life with depression. His poetry has appeared in several online and print journals and explores the common themes we all experience in life. Sometimes blunt, often dark but always grounded in reality.


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