Sunday, January 4, 2026

A Conversation by Loralee Clark


David Olivares

A Conversation  

(—for Angela Carroll-Wallace and Listening to Mother) 

She begins with branches that curve, 

whispering an entry-way, 

focal point

and moves each one

from the loam and litter,

thin with hope

that others will see

with more than their eyes.

Spindly fibers, less supple

serve as cording, sure and thick

encasing

connections to meditations,

to being led to a knowing

400 million years in the making.

To a pulsing brain beneath her feet

rife with stories and lineages,

intuition which was alive

before settling in her body

as she builds a physical bridge;

an honoring to fungi teaching trees to root,

anaerobic teaching aerobic to breathe

cell building cell, adapting, evolving.

Her inhalation, their exhalation

life and death in beautiful dance;

a celebration in renewal

as the cording and curving are created.

There is sustenance in death,

strings of brown leaves tied,

spinning in the wind like waves

on a shore, light spilling through: 

a mystery and the knowing of a secret.

Each season is a heartbeat,

a whorl and expansion of tissue 

in a stalk of wood,

that gives itself over and over again;

to learn and luxuriate in commune, in

symbiosis, in contentment.


Remember: we make a cairn to 

convey a message

but each stone

sitting upon the other

tells its own. 


© Loralee Clark

Loralee Clark

 Loralee Clark’s latest chapbook, Solemnity Rites (Prolific Pulse Press, 2025), is an account of reimagined myths and truths of who we are as humans and how we live our histories. She has been published most recently in Periwinkle Pelican, White Stag Journal, Chewers by Masticadores, Nude Bruce Review, Lucky Leaves, Everscribe, The Rockford Review, and Soul Poetry, Prose and Art MagazineLoralee resides in Virginia; her website is sites.google.com/view/loraleeclark

Follow Feed the Holy









Saturday, January 3, 2026

OPPOSITE DAY by Peter Schwartz

 

don chowdhury

OPPOSITE DAY 

a kite is in many ways the opposite of a star 

in that it never actually gets there

like floating is the opposite of bravery 

because it doesn't take anything 


which is okay because differences often bloom horizontally 

(no longer opposites)

that same string gets used for that perfect guitar 

for someone that would otherwise not have any music at all

because the opposite of rich is not poor

and a single butterfly can become a whole reservoir 


so what if a flamethrower like most machines is the opposite of love 

if mutation is the opposite of growth 

and jungles are the opposite of anything resembling innocence

the sky is still the opposite of mostly nothing at all 

© Peter Schwartz


Peter Schwartz

Peter Schwartz has had poetry featured in Pank, The Columbia Review, Diagram, and many other cool places. He is the author of the poetry collection 'Old Men, Girls and Monsters' as well as four other chapbooks. You can check out his art any time you want to at: the-art-of-peter-schwartz.jimdosite.com


Friday, January 2, 2026

Untitled in Blue To P by Gabriella Garofalo


Image / Andreea Ch

Untitled in Blue To P

Why do you keep the clouds?

Trash them out, darkness has an expiry date, 

And Spring got it wrong, no flowers, no clouds, 

Hardly a shivering blue, night and her heaps

Of scattered stars, when sham seasons loom over souls,

Words, skies, and survival comes in handy-

Same old story, you know, but what’s that,

No free food for souls, just those tenants 

Of the underwood, clouds in God’s eyes, 

Waves, and a different life if she wheezes 

Among slant words, so very young, so naive

When mixing up stars and shadows,

Or leaping in fear into seasons, and  trees- 

And ambos, alarms, lost bits all left in the dark,

No need for maps or rhumbs, just snatch her up, 

Yes, light, and you, moon, don’t screw around, 

Leave them alone, rooms, streets, hidden places, 

Play the game if she says blue will see to it, 

Giving you shelter if you freeze from the cold-

Drop dead, shadows, on the border of her soul,

As the briars of her blue are growing,

And no, the skies won’t fall down

Among scantily-clad girls, half-naked men 

Wrestling in the heat,

Or songs she rescued from water- See? Just like Moses.


© Gabriella Garofalo


Born in Italy some decades ago, Gabriella Garofalo fell in love with the English language at six, started writing poems (in Italian) at six, and is the author of these books: Lo sguardo di Orfeo, L’inverno di vetro, Di altre stelle polari, Casa di erba, Blue BranchesBlue Soul, and After The Blue Rush.







Thursday, January 1, 2026

Tears of the Silenced by Carol Anne Johnson

 

Image / Italo Melo

Tears of the Silenced

 

In the halls where daylight falters,

Shadows collect like memories,

Each one a testament, a whisper,

Of those whose voices never soared—

Quiet as moths against glass,

Soft as rain on a midnight street.

Beneath the gentle hush of morning,

The world’s machinery groans on,

Unmindful of the silent plea

Pressed between the pages of routine.

There, sorrow weaves its silver thread

Through hearts left waiting, unheard.


I. The Gathering Silence


We gather in muted corners,

A congregation of unsaid words,

Our eyes laden with stories

No wind dares sweep away.

We are the leftover notes of a song

Written in a language of longing—

A tapestry of sighs,

Embroidered with invisible pain.

The tears of the silenced fall unseen,

Not for want of sorrow,

But for want of a witness.

They glisten in the dark,

Little lanterns of truth

That burn beneath the surface,

Illuminating what cannot

Be spoken aloud.


II. The Memory of Sound


Once, the world was thunderous—

A cascade of laughter,

A torrent of argument,

A river of shared dreams.

But silence is a patient sculptor;

It chisels away at the edges

Of what might have been,

Leaving only the outline

Of a voice.

In the stillness,

Memory becomes a sanctuary.

We nestle in the soft folds

Of remembered words,

Their meaning unspoiled

By the world’s indifference,

Their echoes a gentle balm

For bruised spirits.


III. The Weight of Unsaid Things


There are words that ache to be spoken—

Truths as fragile as spring petals,

Grievances heavy as autumn stones,

Hope as bright as a new dawn.

Yet the silenced bear the weight

Of unuttered confession,

Shoulders bowed beneath

The burden of unshared grace.

We watch the world move on,

Its promises like distant bells

Ringing in some far-off place

Where courage blooms more freely.

Our own resolve is a quiet thing,

More enduring for its restraint,

More noble for its invisibility.


IV. A Landscape of Hidden Tears


The tears of the silenced seep into the soil,

Nourishing dreams that sleep beneath the surface.

They do not flood the fields,

Nor carve valleys in their grief.

Instead, they mingle with the roots

Of secret gardens,

Where wildflowers grow unbidden

From sorrow’s fertile ground.

Here, in this hidden landscape,

A thousand voices murmur

Among the petals and the leaves.

Their stories twist skyward

With silent elegance,

Painting the dawn with hope

That refuses to be quelled.


V. When Silence Breaks


There comes a day when silence shatters—

When the world briefly remembers

To listen for the quiet ones.

Their tears, collected like dew,

Sparkle on the edge of sunlight,

A prism refracting dignity

Long denied.

In the clarity of morning,

A single voice rises

From the hush.

It trembles with memory,

With pain, with healing,

And the world, at last,

Pauses in its ceaseless motion

To hear the truth

That patience has forged

And solitude has refined.


VI. The Legacy of the Silenced


The silenced do not vanish

Simply because they are unheard.

Their legacy endures

In the kindness of strangers,

In the resilience of the wounded,

In the artistry of the unacknowledged,

And the wisdom of the overlooked.

Every tear is a seed

That waits for gentle rain—

A promise that, one day,

The world might learn to listen

With eyes as open as the sky

And hearts as deep as the sea.


VII. Epilogue: A Prayer for Courage


Let us speak for those who cannot,

Let us bear witness to their truth.

Let our own voices be lanterns,

Guiding the lost through midnight halls.

For in the tears of the silenced

Lies a reservoir of strength—

A power that endures

Beyond despair and indifference.

May the world one day

Turn its gaze to the quiet

And find, shining through

The veil of hush,

The indomitable light

Of every soul

Whoever wept unseen.

---

Slowly, patiently,

The tears of the silenced

Shape rivers beneath stone,

Carving passageways

For hope to flow.

And though silence may linger,

Its reign is never absolute—

For in the end,

Even the quietest voice

Can awaken the dawn.

 

© Carol Anne Johnson



Carol Anne Johnson is in her mid-40s. She is blind and was diagnosed with dissociative identity disorder and complex PTSD. She is also a survivor of child abuse. She enjoys writing poetry and reading, walking, and volunteering. You can follow her on her blog, http://therapybits.com/.




Wednesday, December 31, 2025

On New Year’s Eve by Matthew James Friday

Image/ Nicky Manosalva

On New Year’s Eve 

the unexpected sun lubricates 

the solidified landscape, accompanied 

by dripping, dripping.

A green brush exhales

two sudden surges of whiteness:

one of the Ten Thousand Forms

Last chance to be more.

The first column merges

with the second, 

heaping into itself like faint dough. 

A few gusts of chilled wind

scatter the flecks of mating energy.

They rally, weakened,

growing few, tracking the sun’s gift 

along the wooden walkway, forming 

squabbling groups, pairs, 

all hoping in that frenzied fly way

that no bird sees them. How envious


I am of their New Year’s Eve, of them living poetry rather than writing it.


Previously published on MasticadoresUSA

© Matthew James Friday


Matthew James Friday

Matthew James Friday is a British-born writer and teacher. He has had many poems published in US and international journals. His first chapbook, ‘The Residents,’ was published by Finishing Line Press in the summer of 2024. His second chapbook, ‘The Be-All and the End-All,’ was published by Bottlecap Press in autumn 2024. He has published numerous micro-chapbooks with the Origami Poems Project. Matthew is a Pushcart Prize-nominated poet. Visit his website at http://matthewfriday.weebly.com



Featured Post

A Conversation by Loralee Clark

David Olivares A Conversation   (— for Angela Carroll-Wallace and  Listening to Mother )   She begins with branches that curve,  whispering...