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| ROMAN ODINTSOV |
let go
all the way
it feels like falling
no landing, though
you won’t die—at least
not the way you think
ceding to surrender
each layer a skin
each skin gone,
born anew
into this
© Amrita Skye Blaine
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| Amrita Skye Blaine |
A Literary Journal
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| ROMAN ODINTSOV |
let go
all the way
it feels like falling
no landing, though
you won’t die—at least
not the way you think
ceding to surrender
each layer a skin
each skin gone,
born anew
into this
© Amrita Skye Blaine
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| Amrita Skye Blaine |
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| Image / Trần Long |
I Do Not Know My Soul
I do not know my soul
my mirror cannot reflect its appearance
he is my only friend and brother
he always endures me, without a word
he bears my clumsiness, heaviness, and scent
endures my stubborn thoughts
gloomy habits; he bears with me
the torments of the world, illness, and the humiliation of existence
I do not know when he became
the flesh of my flesh, the bone of my bone
he will not betray me, yet I often betray him
he always forgives with silence
he knows my essence and the temporality of everything
The harm I suffer ultimately falls upon him
yet my joy and the honor pervading the air have nothing to do with him
only when I vanish will he emerge
his glory surpasses all peoples, in the golden city
My brother, my accomplice, my sweet executioner
you hollow me out bit by bit, turning me into you
I know not for whom, nor for what purpose
I have lived an inexplicable life on your behalf © Yongbo Ma
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| Yongbo Ma |
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| Ken Cheung |
Flashes of Life
Thanking Luci
Luci worked at Panera for two weeks. She’d wake up at 3:00 a.m. to arrive at the bakery by 5:30. Dancing between wheeling pastry and bagel racks to ovens or displays and cleaning tables for the first morning customers. From 6:00 until noon, she ran the cash register between the caffeinery specials and the pecan braids. Luci cultivated smiles tailored for the needs of all her customers. A chuckle for the nurse in a hurry. A laugh of hilarity for the handsome man who resembles Tom Holland. A cheerful grin that was just right for me.
My Home Is Where My Tipi Sits After the Apsáalooke (Crow) multimedia artist, Wendy Red Star
We eat our last gratitude in the shadow of turkey balloons and skeletons. Wonder white bread sandwiching government cheese and bologna. Oatmeal cream pie desserts. Our grandfathers kept herds of ninety horses so the big sky might bless our tipis. Our ancestors rode brown-and-white paints through a history of blankets. They wore high-crown Western hats while staring toward the East. Now churches rise above junk cars with cockeyed crucifixes taped across passenger windows. Our children buy tents at Walmart. Or worship in immaculate shrines, while grandmothers grow old behind cardboard walls. We live upon the Earth our tipis sit upon.
| Michael Brockley |
Michael Brockley is a retired school psychologist who lives in Muncie, Indiana. His prose poems have appeared in The Prose Poem, Doublespeak Mag, and Keeping the Flame Alive. In addition, Brockley's prose poems are forthcoming in Bay to Ocean Journal, Unlikely Stories Mark VI, and Stormwash: Environmental Poems, Volume II.
| © Copyright Colin Smith |
©️ Selma Martin
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| Quang Nguyen Vinh |
The Pigeon
On a cobblestone street corner
in the marketplace of old Jodhpur,
three young men are crouching
around what the populace
commonly referred to as a flying rat.
The pigeon, shocked to earth
by a spark in the tangle
of overhead electrical wires
where it had perched,
holds one wing tightly against its body,
while the other, fully extended,
flaps in spastic bursts.
Sheltering the bird
from the wheels of motorbikes
and errant footsteps of pedestrians,
the men dribble bottled water
slowly, gently, over the quivering body,
trying to dispel the tremors.
What will happen to it, if they can’t
revive it? I ask my tour guide.
Then they will move it somewhere safe
and care for it until it dies.
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| Mary Kipps |
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| Tom Fisk |
The Oak Tree
Don’t plant an oak tree they told me
It is so slow to grow
Suggesting at my age I would
Never see it mature.
Nature is full of surprises.
Outside my window
Stands a sturdy, tall oak tree
With many branches
And keeps its leaves
Until new ones sprout in the spring.
It shades the west side
Of my Old Farmhouse
And fills my heart with joy!
Don’t depend on what other people say
Depend on God and Nature every day.
© Judith Burton, Ph.D.
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| Dr. Judith Burton |
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| Meli Di Rocco |
HOPE
Hope is the subtle light that
darkness challenges.
It's in the heart,
even when the world is silent.
It's the whisper in tears, promises
sprouting rose petals in silence
It's the breeze facing gentle
caresses.
Hope is the smile of the eyes
that fears of challenge.
It's the Supernova guiding us
toward the universe
It's the outstretched hand
when the path is unsafe
It's salvation in the stormy ocean
of life.
| Angela Kosta |
Angela Kosta was born in Elbasan, Albania, and lives in Italy. She is a writer, poet, translator, journalist, and cultural promoter. A member of numerous international academies and associations, she has represented Albanian literature at various festivals and competitions. Her work has been translated into 45 languages and published in many countries. In 2024 alone, her works appeared in over 170 international magazines and newspapers. She has received significant awards, including Best Translator from OBELISK magazine for translating poems by Giosuè Carducci, and the title of Important Figure from the Moroccan newspaper Akhbar7 (2023). She was also listed among the 100 most prominent figures in Arabic literature by Al-Rowad News in 2024. Angela is an active member of academies in Italy, the USA, China, Greece, Poland, and other countries. Her work promotes dialogue between cultures through the written word, building literary bridges worldwide.
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| David Olivares |
(—for Angela Carroll-Wallace and Listening to Mother)
She begins with branches that curve,
whispering an entry-way,
focal point
and moves each one
from the loam and litter,
thin with hope
that others will see
with more than their eyes.
Spindly fibers, less supple
serve as cording, sure and thick
encasing
connections to meditations,
to being led to a knowing
400 million years in the making.
To a pulsing brain beneath her feet
rife with stories and lineages,
intuition which was alive
before settling in her body
as she builds a physical bridge;
an honoring to fungi teaching trees to root,
anaerobic teaching aerobic to breathe
cell building cell, adapting, evolving.
Her inhalation, their exhalation
life and death in beautiful dance;
a celebration in renewal
as the cording and curving are created.
There is sustenance in death,
strings of brown leaves tied,
spinning in the wind like waves
on a shore, light spilling through:
a mystery and the knowing of a secret.
Each season is a heartbeat,
a whorl and expansion of tissue
in a stalk of wood,
that gives itself over and over again;
to learn and luxuriate in commune, in
symbiosis, in contentment.
Remember: we make a cairn to
convey a message
but each stone
sitting upon the other
tells its own.
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| Loralee Clark Loralee Clark’s latest chapbook, Solemnity Rites (Prolific Pulse Press, 2025), is an account of reimagined myths and truths of who we are as humans and how we live our histories. She has been published most recently in Periwinkle Pelican, White Stag Journal, Chewers by Masticadores, Nude Bruce Review, Lucky Leaves, Everscribe, The Rockford Review, and Soul Poetry, Prose and Art Magazine. Loralee resides in Virginia; her website is sites.google.com/view/ |
ROMAN ODINTSOV fall into holiness let go all the way it feels like falling no landing, though you won’t die—at least not the way you think ...